This text comprises spoilers for “Moana 2.”
“Moana” is arguably the very best movie from Walt Disney Animation Studios within the final 10 years, which meant “Moana 2” had a fairly large shadow solid upon it from the very starting. Initially supposed to be a sequel sequence for Disney+, “Moana 2” was introduced as a theatrical characteristic again in February 2024, and the Home of Mouse has been retaining plot particulars fairly near the chest. Again in August, a trailer was unleashed in the course of the D23 celebration, which gave followers a take a look at a extra mature Moana, the introduction of her little sister Simea, the crew becoming a member of her on her new journey, her reunion with the demigod Maui, the return of the Kakamora, and a principally unseen risk, cloaked in darkish purple gentle, that challenges everybody’s favourite wayfinder. Not a lot is thought about this film’s Massive Dangerous, which is able to possible be an incredible shock for audiences after they watch the movie and understand that not solely is that this character not the Massive Dangerous, however she’s additionally the supply of the very best tune on the soundtrack.
Lin-Manuel Miranda was the songwriter behind catchy tunes like “How Far I will Go” and “You are Welcome,” however the torch has been handed to Abigail Barlow and Emily Bear for “Moana 2.” The duo is most well-known for his or her Grammy Award-winning “The Unofficial Bridgerton Musical” and because the songwriters for “Mexican Pizza: The Musical,” the Taco Bell-sponsored manufacturing that includes Doja Cat and Dolly Parton. As of publication, each “Past” and “Can I Get a Chee Hoo?” from “Moana 2” have been nominated for the 2024 Hollywood Music in Media Award for Greatest Unique Tune in an Animated Movie, however for my cash, it is the tune “Get Misplaced” that would be the soundtrack standout — becoming an analogous mildew as “We Do not Speak About Bruno” from “Encanto.”
Let me clarify.
We must always all be speaking about ‘Get Misplaced’
Each “Past” and “Can I Get a Chee-Hoo?” are nice numbers in their very own proper, with “Past” fulfilling the time-honored custom of Disney feminine protagonists’ having an enormous quantity displaying off a powerful vocal vary that serves as the center of the movie’s plot. Nevertheless, “Get Misplaced” is considerably of a mysterious quantity — a cross between the deception of “Mom Is aware of Greatest” from “Tangled,” Ursula’s feigned empathy with “Poor Unlucky Souls” in “The Little Mermaid,” and the outright denial of fact in “I Will not Say (I am in Love)” from Megara in “Hercules.”
Carried out by Awhimai Fraser because the shape-shifting Matangi, “Get Misplaced” is a life lesson hidden underneath the guise of a risk. Matangi is telling Moana she must embrace chaos, stay dangerously, and cease being so strict with following the principles, which, relying on intent is both good recommendation or an ideal setup for a lure. Polynesian musical stylings mix completely with the dominant themes related to Disney Villain songs, however because the post-credits scene reveals, there could also be extra to Matangi than meets the attention.
I beforehand in contrast “Get Misplaced” to “We Do not Speak About Bruno,” not as a result of I believe the tune may have an analogous Billboard chart-shattering efficiency, however as a result of it is very clearly the very best tune on the soundtrack however will undoubtedly be outshined by the extra acquainted choices. I can solely converse for myself, however Barlow/Bear’s music for “Moana 2” is extremely sturdy, and a part of that energy is their distinctive strategy to songwriting that differentiates from Lin-Manuel Miranda’s fashion. “Get Misplaced” is the very best instance of that, and I apologize prematurely for a way usually you may be singing it round the home.
